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| MARK TRACY OFFICIAL TRACY FAMILY SITE HISTORY Origin of Kenpo KarateSetting History RightKenpo Karate 1949-1954Kenpo Karate 1954-1956Ed Parker BYU Judo DojoKenpo Karate 1956-1959The Blackbelted MormonKenpo Karate 1960-1962Kenpo Karate 1962-1964Tercell's Kenpo Emblem1965 and BeyondEd Parker's First ShodanFounding of the IKKAOther Black BeltsKenpo SeniorityStillness of MovementJames MitoseWilliam K. S. ChowTHE WAY OF KENPO The Way of KenpoThe 9 PrinciplesDo Not Think DishonestlyThe Way is in TrainingEvery ArtIntuitive JudgmentPerceptionPay Attention to TriflesDo Nothing UselessYang Cheng-fu Tai ChiKenpo and Tai ChiBong Soo Han As I Knew HimKenpo Karate TrainingMichael ChongApology to Ralph CastroJewel ShepardSun Tzu & Politics
Ed Parker's Kenpo — 100
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Ed Parker BYU Judo DojoHistorical route: http://www.tracyskarate.com/History/BYU.htm Historical reconstruction: This page is stored locally. Where the original copyrighted page is not available for republication, the text is a locally authored reconstruction. The BYU period is important because Kenpo arrived in a campus environment where judo already provided a familiar model of disciplined martial training. A recognizable point of entryIn the 1950s most Americans who knew an Asian martial art knew judo. Kenpo therefore entered a world where throws, breakfalls and belt rank were more recognizable than rapid hand combinations or named self-defense sequences. A small-group laboratoryThe Tracy account describes Parker working with a relatively closed group of students. Small-group instruction gave him room to test explanations, organize material and discover what mainland students found difficult. Those lessons would become useful when he later taught the public in California. Why this period mattersThe importance of BYU is less about claiming a single ‘first’ and more about seeing a transitional classroom. Kenpo was becoming an American teaching system, not simply a Hawaiian art transplanted unchanged. Tracy Legacy Web Site • historical reconstruction |